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RAYMOND
CHANDLER
(1888-1959) |
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Categories: Links
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Raymond
Chandler must be placed among the mystery greats. The creation of Philip
Marlowe, despite the influence of Dashiell Hammett, was, is and will be
the most famous US fictional PI. Born in Chicago, Chandler grew up in
the UK after his parents' divorce where he attended the Dulwich College
homeparatory School in London. He also studied in France and Germany.
Before going back to the US in 1912 he worked as a teacher at Dulwich
as well as reporter for the Daily Express and Western Gazette.
Following a number of jobs (including bookkeeper), he served in the Canadian
Army and the Royal Air Force during World War I. After the war he worked
in a San Francisco Bank and wrote for the Daily Express before becoming
first bookkeeper and later auditor for Dabney Oil Syndicate from 1922
to 1932. In 1924 he married Pearl Cecily Hurlburt, 18 years his senior.
After being sacked during the Great Depression, backed by his wife he
dedicated himself entirely to fiction. He studied the main pulp fiction
writers and after five months finished his first story Blackmailers
Don't Shoot which was published in December 1933 in the Black Mask
Magazine. Between 1933 and 1939 he wrote nineteen pulp stories, eleven
published in Black Mask, seven in the Dime Detective and
one in the Detective Fiction Weekly. His fourth published story,
Killer in the Rain, was the foundation of The Big Sleep
(1939), his first novel, introducing Philip Marlowe who became the prototype
US hard-boiled PI. After several successful Marlowe novels - including
The Long Goodbye for which he won the Edgar
in 1955 - he worked for the movie world. In 1944 with Billy Wilder he
adapted a James Cain novel for Double Indemnity; in 1946 for The
Blue Dahlia and for Hitchkock's adaptation of Strangers
on a Train by Patricia
Highsmith. He even discussed the making of The Big Sleep
and wrote a new ending for it. His wife died in 1954 leaving him devastated.
He left us five years later with an unfinished novel, Poodle
Springs later completed by Robert Parker, and a type of manifesto,
The Simple Art of Murder (1944), an explanation
of his side of crime writing.
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