|
Joe Leaphorn Solo Mysteries
|
THE
BLESSING WAY
When
Lt. Joe Leaphorn of the Navajo Tribal Police discovers a corpse
with a mouth full of sand at a crime scene seemingly without tracks
or clues, he is ready to suspect a supernatural killer. And what
he must stalk is the Wolf-Witch along a chilling trail between
mysticism and murder.
|
 |
|
DANCE
HALL OF THE DEAD
A Zuni
Indian boy dies in a bizzare ritual slaying - and his best friend,
a Navajo youth, is missing. Navajo police lieutenant Joe Leaphorn
must track the suspected killer across the desert of New Mexico
and Arizona-from Zuni village to Navajo hogan.
|
 |
|
LISTENING
WOMAN
The state
police and FBI are baffled when an old man and a teenaged girl
are brutally murdered. The blind Navajo Listening Woman speaks
of ghosts and witches. But Lieutenant Joe Leaphorn knows his people
and begins an investigation that leads to the most violent confrontation
of his career.
|
 |
Jim Chee Solo Mysteries
|
PEOPLE
OF DARKNESS
Sgt.
Jim Chee of the Navajo Tribal Police must use all of his powers
of deduction and insight to extricate himself from a dangerous
web consisting of a mysterious millionaire, a sinister, peyote-eating
Indian cult and murder.
|
 |
|
THE
DARK WIND
A corpse
whose palms and soles have been "scalped," an airplane's mysterious
crash in the nighttime desert, and a vanishing shipment of cocaine
are among the disturbing clues that send Sergeant Jim Chee of
the Navajo Tribal Police into the deadly web of a cunningly-spun
plot driven by Navajo sorcery and white man's greed.
|
 |
|
THE
GHOSTWAY
Officer
Jim Chee discovers an Indian hogan infected by a corpse, a ghost
kept from the underworld, and an odyssey of murder and revenge.
|
 |
Leaphorn-Chee Ensemble
|
SKINWALKERS
Three
shotgun blasts explode into the trailer of Officer Jim Chee of
the Navajo Tribal Police. But Chee survives to join partner Lt.
Joe Leaphorn in a frightening investigation that takes them into
a dark world of ritual, witchcraft, and blood - all tied to the
elusive and evil "skinwalker.
|
 |
|
A
THIEF OF TIME 
When
two corpses appear amid stolen goods and bones at an ancient burial
site, Navajo Tribal Policemen Lt. Joe Leaphorn and Officer Jim
Chee must plunge into the past to unearth the astonishing truth
behind a mystifying series of horrific murders.
|
 |
|
TALKING
GOD
A grave
robber and a corpse reunite Navajo Tribal Police Lt. Joe Leaphorn
and Officer Jim Chee. As Leaphorn seeks the identity of a murder
victim, Chee is arresting Smithsonian conservator Henry Highhawk
for ransacking the sacred bones of his anscestors. As the layers
of each case are peeled away, it becomes shockingly clear that
they are connected, that there are mysterious others pursuing
Highhawk, and that Leaphorn and Chee have entered into the dangerous
arena of superstition, ancient ceremony, and living gods.
|
 |
|
COYOTE
WAITS
When
Navajo Tribal Policeman Delbert Nez is murdered, Lt. Joe Leaphorn
and Officer Jim Chee begin an investigation that unravels a complex
plot involving an historical find, a lost fortune, and the mythical
Coyote, who is always waiting - and always hungry.
|
 |
|
SACRED
CLOWNS
Investigating
the bludgeoning murder of a reservation schoolteacher and a dancing
koshare clown, Navajo officer Jim Chee and Lieutenant Leaphorn
of the Tribal Police attempt to decipher the sacred clown's dancing
message.
|
 |
|
FALLEN
MAN
Sprawled
on the ledge under the peak of Ship Rock mountain for 11 years
lies an unknown body, now only bones. At Canyon de Chelly, three
hundred miles across the Navajo reservation, a sniper shoots an
old canyon guide who had always walked that pollen path in peace.
At his home in Window Rock, Joe Leaphorn, newly retired from the
Navajo Tribal Police, connects skeleton and sniper and remembers
an old puzzle he could never solve. At his office in Shiprock,
Acting Lt. Jim Chee is too busy to take much interest in the case
until it hits too close to home.
|
 |
|
THE
FIRST EAGLE
When
Acting Lt. Jim Chee catches a Hopi poacher huddled over a butchered
Navajo Tribal police officer, he has an open-and-shut case - until
his former boss, Joe Leaphorn, blows it wide open. Now retired
from the Navajo Tribal Police, Leaphorn has been hired to find
a hot-headed female biologist hunting for the key to a virulent
plague lurking in the Southwest. The scientist disappeared from
the same area the same day the Navajo cop was murdered. Is she
a suspect or another victim? And what about a report that a skinwalker
- a Navajo witch - was seen at the same time and place too? For
Leaphorn and Chee, the answers lie buried in a complicated knot
of superstition and science, in a place where the worlds of native
peoples and outside forces converge and collide.
|
 |
|
HUNTING
BADGER
In 1998
three heavily armed "survivalists" came out of the Four Corners
canyons in a stolen truck. They murdered a policeman, had a shootout
with pursuers, and then vanished - eluding a manhunt that eventually
involved hundreds of officers from more than twenty federal and
state agencies. The crime and the bungled FBI investigation left
behind a web of mysteries: Why did one of the bandits kill himself?
How did the others escape? Why has no one in this impoverished
area claimed the huge reward the government still offers? Most
puzzling of all, what crime were they en route to commit when
Officer Dale Claxton stopped them - and paid for his bravery with
his life? The time is now, and the memory of the mishandled manhunt
of 1998 is still painfully fresh. Three men stage a predawn raid
on the Ute tribe's gambling casino. They kill one policeman, wound
another, and disappear in the maze of canyons on the Utah-Arizona
border. The FBI takes over the investigation, and agents swarm
in with their helicopters, their high-tech equipment, and a theory
of the crime that makes a wounded deputy sheriff a suspect. This
development calls Chee in from his vacation, and a request for
a favor draws in Leaphorn. Chee finds a fatal flaw in the federal
theory, and Leaphorn sees an intriguing pattern connecting this
crime with the exploits of a legendary Ute hero-bandit.
|
 |
|
THE WAILING WIND
To Officer Bernadette Manuelito, the man curled up on the truck seat was just another drunk, which got Bernie in trouble for mishandling a crime scene, which got Sergeant Jim Chee in trouble with the FBI, which drew Lieutenant Joe Leaphorn out of retirement and back into the old "Golden Calf" homicide, a case he had hoped to forget." "Nothing has seemed complicated about that earlier one: A con game had gone sour. A swindler had tried to sell wealthy old Wiley Denton the location of one of the West's multitude of legendary lost gold mines. Denton had shot the swindler, called the police, confessed the homicide, and done his short prison time. No mystery there." "Except why did the rich man's bride vanish? The cynics said she was part of the swindle plot. She'd fled when it failed. But, alas, old Joe Leaphorn was a romantic. He believed in love, and thus the Golden Calf case still troubled him. Now, papers found in this new homicide case connect the victim to Denton and to the mythical Golden Calf Mine. The first Golden Calf victim had been there just hours before Denton killed him. And while Denton was killing him, four children trespassing among the rows of empty bunkers in the long-abandoned Wingate Ordnance Depot called in an odd report to the police. They had heard, in the wind wailing around the old buildings, what sounded like music and the cries of a woman." Bernie Manuelito uses her knowledge of Navajo country, its tribal traditions, and her friendship with a famous old medicine man to unravel the first knot of this puzzle, with Jim Chee putting aside his distaste for the FBI to help her. But the questions raised by this second Golden Calf murder aren't answered until Leaphorn solves the puzzle left by the first one and discovers what the young trespassers heard in the wailing wind
|
 |
Other non-series
|
A
FLY ON THE WALL
Reporter
John Cotton was adept at remaining in the background. Then, his
best friend was murdered, and John found his secret notebook,
telling of a scandal involving a senatorial candidate. Soon John
heard powerful people with something to hide.
|
 |
|
THE
GREAT TAOS BANK ROBBERY: AND OTHER INDIAN COUNTRY AFFAIRS
The author
of myriad best-selling mysteries set in the American Southwest
presents nine extraordinary, true tales of daily life in New Mexico,
including the comical title story, about a bank holdup in Sante
Fe that never was.
|
 |
|
FINDING
MOON
His predictable
life changed forever by the discovery of the niece he never knew
existed, Moon Mathias undertakes a dangerous journey into the
war-stricken zones of Southeast Asia, where he is challenged to
become the man he always wanted to be.
|
 |
As Editor
|
THE
MYSTERIOUS WEST
A collection
of short mysteries take place in such locales as an Arizona trailer
park, the isolated Alaska bush, a narrow-minded Texas cowtown,
and glitzy Las Vegas, and includes the works of J. A. Jance, Lia
Matera, and other popular writers.
|
 |
|
THE
OXFORD BOOK OF AMERICAN DETECTIVE STORIES
Edgar
Allan Poe's Murders in the Rue Morgue launched the
detective story in 1841. The genre began as a highbrow form of
entertainment, a puzzle to be solved by a rational sifting of
clues. In Britain, the stories became decidedly upper crust: the
crime often committed in a world of manor homes and formal gardens,
the blood on the Persian carpet usually blue. But from the beginning,
American writers worked important changes on Poe's basic formula,
especially in use of language and locale. As early as 1917, Susan
Glaspell evinced a poignant understanding of motive in a murder
in an isolated farmhouse. And with World War I, the Roaring '20s,
the rise of organized crime and corrupt police with Prohibition,
and the Great Depression, American detective fiction branched
out in all directions, led by writers such as Dashiell Hammett
and Raymond Chandler, who brought crime out of the drawing room
and into the "mean streets" where it actually occurred.
|
 |
|
THE
BEST AMERICAN MYSTERY STORIES OF THE CENTURY (Review)
In The
Best American Mystery Stories of the Century, best-selling author
Tony Hillerman and mystery expert Otto Penzler present an unparalleled
treasury of American suspense fiction that every fan will cherish.
Offering the finest examples from all reaches of the genre, this
collection charts the mystery's eminent history from the turn-of-the-century
puzzles of Futrelle, to the seminal pulp fiction of Hammett and
Chandler, to the mystery story's rise to legitimacy in the popular
mind, a trend that has benefited masterly writers like Westlake,
Hunter, and Grafton. Nowhere
else can readers find a more thorough, more engaging, more essential
distillation of American crime fiction. Penzler, Best American
Mystery Stories series editor, and Hillerman, whose Leaphorn/Chee
novels have won him multiple Edgar
Awards and millions of devotees, winnowed this select group
out of a thousand stories, drawing on sources as diverse as Ellery
Queen's Mystery Magazine and Esquire, Collier's and The New Yorker.
Giants of the genre abound - Raymond Chandler, Dashiell Hammett,
Lawrence Block, Ellery Queen, Sara
Paretsky, and others - but the editors also unearthed gems
by luminaries rarely found in suspense anthologies: William Faulkner,
John Steinbeck, Damon Runyon, Harlan Ellison, James Thurber, and
Joyce Carol Oates. Mystery buffs and newcomers alike will delight
in the thrilling stories and top-notch writing of a hundred years'
worth of the finest suspense, crime, and mystery writings.
|
 |
|