LEW
ARCHER SERIES
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THE MOVING
TARGET
Like
many Southern California millionaires, Ralph Sampson keeps odd company.
There's the sun-worshipping holy man whom Sampson once gave his
very own mountain; the fading actress with sidelines in astrology
and S&M. Now one of Sampson's friends may have arranged his kidnapping.
As Lew Archer follows the clues from the canyon sanctuaries of the
megarich to jazz joints where you get beaten up between sets, The
Moving Target blends sex, greed, and family hatred into an explosively
readable crime novel.
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THE DROWNING
POOL
When
a millionaire matriarch is found floating face-down in the family
pool, the prime suspects are her good-for-nothing son and his
seductive teenage daughter. In The Drowning Pool, Lew Archer takes
this case in the L.A. suburbs and encounters a moral wasteland
of corporate greed and family hatred--and sufficient motive for
a dozen murders.
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THE IVORY
GRIN
I
found myself looking into an ornate room occupied by a squat,
over-dressed woman and young man in the clothes of an hospital
orderly. The place was thick with dust, strewn with unwashed dishes,
cigarette butts rotting fruit... Suddenly the door was flung open
revealing a small thin man wrapped in red bricaded silk. He held
a gun. "Now!" he cried. "Hands on head - this is it!" He shot
the orderly three times, point-blank. The orderly lay down on
the floor, a faint smile on his face. Then the thin man shot the
woman, who grimaced theatrically and collapsed on a dusty divan.
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FIND A
VICTIM
Lew archer finds a young Spanish-American dying in the ditch beside
the highway. So begins a story of crime and intrigue that moves
like lightening through California's rich and riotous Central
Valley. It involves a call-girl who grew up too late, a sheriff
caught between two passions and a woman who becomes the victim
of her own murderous wish. As Archer fights his way into the case,
he finds the key to murder in the disappearance of a beautiful
woman.
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THE NAME
IS ARCHER
"I
sat in my brand-new office with odor of paint in my nostrils and
waited for something to happen..." When the name on the door is
Archer, the chances are - something will. Millicient Dreen happened:
a varnished red-head with hell green eyes and a disappearing daughter.
After that the trouble came thick and fast. From Fresno to San
Diego, on Sunset Boulevard and in Palm Springs, murder is your
game and trouble is your name if - the name is Archer...
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THE BARBAROUS
COAST 
"My
name is Archer, Lew Archer ... cal me trouble, looking for a place
to happen in ..." The place turns out to be Southern California,
the trouble takes archer in search of a girl who jack-knifed too
suddenly from high-diving to high-living and leads him on to an
ex-fighter with an unexplained movie contract, a big-time gambler,
the ghost of an eighteen-year-old girl whose murder was never
solved, and finally to an answer he would rather not have known.
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THE DOOMSTERS
When Archer opened the door to the tall young man who was afraid of the light, he was letting the Doomsters in. Who were the Doomsters? Carl certainly knew them - that was why Archer found him on the doorstep, exhausted and desperately in need of help. Mildred knew them, with her grave innocence and the loneliness that made her seem vulnerable. Even Zinnie knew them, Zinnie who was pseudo-Hollywood and definitely second hand. And Dr. Grantland had had his fill of them - a good doctor once, but now suffering from a heavy dose of lack of integrity. Only Archer hadn't met them: until he got himself talked into helping Carl, and found himself always a lap behind the next murder.
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THE GALTON
CASE
Almost
twenty years have passed since Anthony Galton disappeared, along
with a suspiciously streetwise bride and several thousand dollars
of his family's fortune. Now Anthony's mother wants him back and
has hired Lew Archer to find him. What turns up is a headless
skeleton, a boy who claims to be Galton's son, and a con game
whose stakes are so high that someone is still willing to kill
for them.
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THE ZEBRA
STRIPED HEARSE 
When
Isobel Blackwell comes calling unexpectedly on Lew Archer just
minutes before her husband is scheduled to meet with the detective,
she expresses concern for her stepdaughter, Harriet. The young
woman is about to come into a large trust fund, and she wants
to marry a handsome, penniless artist named Burke Damis. Isobel
has no objection to the marriage, but Harriet's father, Mark Blackwell,
dislikes Damis and is staunchly opposed. Mr. Blackwell asks Archer
to investigate Damis, and Archer agrees, partly because he's attracted
to Mrs. Blackwell. Murders past and present crowd the investigation
as various leads take Archer to Mexico, Lake Tahoe, the San Francisco
Bay Area, and Los Angeles. The Zebra-Striped Hearse is indeed
colored black and white - but the intertwining relationships of
the characters range across many shades of gray.
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THE WYCHERLY
WOMAN
Phoebe
Wycherly was missing two months before her wealthy father hired
Archer to find her. That was plenty of time for a young girl who
wanted to disappear to do so thoroughly--or for someone to make
her disappear. Before he can find the Wycherly girl, Archer has
to deal with the Wycherly woman, Phoebe's mother, an eerily unmaternal
blonde who keeps too many residences, has too many secrets, and
leaves too many corpses in her wake.
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THE CHILL
In
The Chill a distraught young man hires Archer to track down his
runaway bride. But no sooner has he found Dolly Kincaid than Archer
finds himself entangled in two murders, one twenty years old,
the other so recent that the blood is still wet. What ensues is
a detective novel of nerve-racking suspense, desperately believable
characters, and one of the most intricate plots ever spun by an
American crime writer.
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THE FAR
SIDE OF THE DOLLAR 
Has Tom Hillman run away from his exclusive reform school, or
has he been kidnapped? Are his wealthy parents protecting him
or their own guilty secrets? And why does every clue lead Lew
Archer to an abandoned Hollywood hotel, where starlets and sailors
once rubbed shoulders with grifters--and where the present clientele
includes a brand-new corpse.
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BLACK MONEY
When
Lew Archer is hired to get the goods on the suspiciously suave
Frenchman who's run off with his client's girlfriend, it looks
like a simple case of alienated affections. Things look different
when the mysterious foreigner turns out to be connected to a seven-year-old
suicide and a mountain of gambling debts. Black Money is Ross
MacDonald at his finest.
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THE INSTANT
ENEMY
He
chopped at my head with the loaded butt of his gun. I went out,
all the way. After a while the darkness where I lay was invaded
by dreams. Huge turning wheels resolved themselves into a diesel
locomotive. I was lying limp across the tracks and the train was
coming. It honked its horn at me. It wasn't a train sound, though,
and I wasn't lying on a track, and it was no dream. I sat up in
the middle of the highway. A truck was bearing down on me, its
brakes shrieking. But it wasn't going to able to stop this time.
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THE GOODBYE
LOOK
In The Goodbye Look, Lew Archer is hired to investigate a burglary
at the mission-style mansion of Irene and Larry Chalmers. The
prime suspect, their son Nick, has a talent for disappearing,
and the Chalmerses are a family with money and memories to burn.
As Archer zeros in on Nick, he discovers a troubled blonde, a
stash of wartime letters, a mysterious hobo. Then a stiff turns
up in a car on an empty beach. And Nick turns up with a Colt .45.
In The Goodbye Look, Ross Macdonald delves into the world of the
rich and the troubled and reveals that the past has a deadly way
of catching up to the present.
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THE UNDERGROUND
MAN
As
a mysterious fire rages through an affluent community in Southern
California, Lew Archer tracks a missing-and possibly kidnapped-child
and uncovers an entire secret history of wayward parents, wounded
offspring, and murder. Along with its merciless suspense, The
Underground Man possesses a moral vision as complex as that of
a classic Greek tragedy.
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SLEEPING
BEAUTY
In
Sleeping Beauty, Lew Archer finds himself the confidant of a wealthy,
violent family with a load of trouble on their hands--including
an oil spill, a missing girl, a lethal dose of Nembutal, a six-figure
ransom, and a stranger afloat, face down, off a private beach.
Here is Ross Macdonald's masterful tale of buried memories, the
consequences of arrogance, and the anguished relations between
parents and their children.
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THE BLUE
HAMMER (Classic Mystery Fiction)
I
could see Rico approaching the foot of the pier, hunchbacked by
the sack he had slung across his shoulders. I left my car and
followed him on foot, walking softly and narrowing my distance.
"Drop it, Rico", I said. "Get your hands up". He made a move to
heave the sack overside. It struck the top rail and fell, spilling
some of its contents on the planking. There were human bones caked
with dirt, a damaged human skull, rusted engine parts form an
old car. Rico turned on me swing. I moved inside his flailing
arms and hit him several times in the belly, then once on the
jaw. He went down and stayed down for a while...
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LEW ARCHER,
PRIVATE INVESTIGATOR
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CHET GORDON SERIES
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BLUE CITY
A
crime novel in which a young man, just back from the war, discovers
that his father has been killed on a street corner, and decides
to solve the case himself, but this means immersing himself in
the brutal underworld in which his father moved freely.
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THE THREE
ROADS
He
remembered only their first meeting - the long continuous kiss
in the taxi, the hotel, the panther-blackness of the night. It
was the fulfillment of a promise too sweet to be believed. But
she was dead. Murdered. And somewhere in the labyrinth of his
tangled memory was the answer to this murder. He had to find the
killer - but would he also meet his own destruction?
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OTHER NON SERIES
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